Big Book Disco Funk Pdf Editor
Long before raves, superstar DJs like Paul Oakenfold and even Studio 54, disco balls were erected, strobe lights flashed and little men in glass booths blended songs together with mixing boards and double-deck turntables. At the midtown nightclub Better Days, dancers got turned out in 1974 to Labelle, Gloria Gaynor and Barry White. At the nearby Liquid Smoke, it was the sounds of B.B. King, the Jackson 5 and Chicago. This story first appeared in the September 23, 2009 issue of WWD. Among those gallivanting around New York at all hours of the night to hear the era’s soundtrack was a young man named Vince Aletti, who wrote a weekly column for a trade publication called Record World and freelanced reviews and criticism for Rolling Stone and The Village Voice.
Now he’s collected his writings from the period and put them in a coffee-table-like book called “The Disco Files 1973-1978” (Distributed Art Publishers), which hits bookstores in Manhattan next month. His book is a throwback to a period before AIDS, when the party in New York went all night and all morning, when HotPants were everywhere, and the old game of telephone — rather than an appearance in Time Out’s listings pages — got the word out on a new club. Yet if you ask Aletti what he’d really like the book to accomplish, he says he’s after a reappraisal of the music itself. He wants to win over those who wrote disco off, the ones who failed to notice that what was playing at nightclubs during the era was sung not just by divas feeling the love and professing a will to survive, but by Stevie Wonder and James Brown.
“Disco was incredibly broad,” Aletti says. “There was a lot of unusual and odd music, though it became more and more narrowly defined the more successful it became.
Big Book Disco Funk Pdf Editor Download
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